A review from Drowned In Sound....
With  October’s Essex Arms,  Darren Hayman and his Secondary Modern released  one of the great records  of 2010. Not only was it a lovingly crafted  take on, amongst other  things, small town angst and ennui, (it was  basically a better The  Suburbs, with just as much aimless driving but  slightly fewer references  to "The Kids"), but it also managed to  achieve a strange sense of  beauty with the Essex badlands as its  canvas.
It’s  relatively easy  for Springsteen to dig around New Jersey for battered  dreams and  scuffed heroes when he has the vastness of The American  Dream to fall  back on. But you have to be really clever to draw out the  same sense of  romance and piquancy with Essex as your muse. But this  is exactly what  Hayman achieved. So maybe he could’ve been content with  creating some of  the best music of his career so far and spent the New  Year with his  feet up reflecting on a job well done. Instead he’s  decided to write,  release and record a completely original song for  every day of the  coming month.
Interested  in where this enforced restrictiveness  will lead to and how it will  impact on a creative process Hayman  might’ve felt so relatively  comfortable and familiar with up until this  point, this promises to not  only provide some lovely material from one  of this country’s most  undervalued songwriters, but also give an  illuminating insight into the  creative process with an effort to  understand the artist’s  relationship to his craft. So you should keep  track of his progress at  http://januarysongs.tumblr.com/
 Age Restrictions: 16+
Tickets: £8 adv / £10 otd
 

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